
I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block:

I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block:
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
No writer has ever yet been known to hang himself as long as he had another chapter left.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.

























