Welcome to the Ghostwriters Central blog. This blog will be authored by me, for the time being. We do hope you will find it to be useful, informative or entertaining. Or all three. –Michael McKown.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.
Books aren’t written, they’re rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn’t quite done it.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
A true author, no matter the medium, is an artist with godlike knowledge of his subject, and the proof of his authorship is that his pages smack of authority.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.