There is a stereotype out there about writers. They’re talented and frustrated and hit the bottle way too often. Maybe the reason some talented writers are frustrated and drink to excess is because of what they’re asked to write. Example:
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
What I loved most about calling myself a reporter was that it gave me an excuse to show up anyplace.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
The most valuable of all talents is that of never using two words when one will do.
Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
Socially, a journalist fits in somewhere between a whore and a bartender. But spiritually he stands beside Galileo. He knows the world is round.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.
Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.