There is a stereotype out there about writers. They’re talented and frustrated and hit the bottle way too often. Maybe the reason some talented writers are frustrated and drink to excess is because of what they’re asked to write. Example:
Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
Writing is the only thing that, when I do it, I don’t feel I should be doing something else.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.