There is a stereotype out there about writers. They’re talented and frustrated and hit the bottle way too often. Maybe the reason some talented writers are frustrated and drink to excess is because of what they’re asked to write. Example:
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
A true author, no matter the medium, is an artist with godlike knowledge of his subject, and the proof of his authorship is that his pages smack of authority.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.
Do not place a photograph of your favorite author on your desk, especially if the author is one of the famous ones who committed suicide.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.